Fantasticology Tokyo:
Faults, Flesh and Flowers

Fantasticology Tokyo: Faults, Flesh and Flowers is comprised of a multi-screen video installation that includes raw and woodfired ceramics. In this project Alex Kershaw considers the practice of Japanese flower arrangement, known as ikebana, and its relationship to the human body. The project was developed through a series of artistic collaborations in Japan and Australia, beginning with an artist residency in Tokyo during 2011.

Individually titled, each video references the respective themes and influences that emerged during interviews with ikebana practitioners in Tokyo. The video narratives conceived through collaboration and performed by subjects from the interviews relate to perfection and imperfection, form and formlessness, and how human action is differently shaped by choice and obligation. In this process the practice of ikebana is subject to a series of transformations—the strange becomes normal and the normal becomes strange. Through the loosening of ikebana's traditions Kershaw reconceives the practice in fantastic and unnatural ways.

The 2011 Tohoku earthquake and tsunami, which happened during the production of the videos permeates the work. These events focused the precarious position of an 'outsider' in a foreign culture and by extension framed a space where ikebana plays in passages between the visible and invisible—as well as this life and the next.

Adding a physical dimension to the exhibition Kershaw has collaborated with the Sydney ceramic artist Barbara Campbell-Allen to produce a group of ceramic vessels that were conceived as a response to the videos on display. Visually, the ceramics oscillate between highly formed and contorted objects to raw formations drawn from nature.

Links

Catalogue essay by Bec Dean
Art Gallery of New South Wales Exhibition